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Film synopses must pack a complete story arc into one piece, while TV synopses must balance their pilot's hook with future episode potential. Agents will appreciate more details about creative elements. TV synopses need to balance the pilot story and series potential , while film synopses must tell a complete story arc in fewer words.
Think of it as your roadmap to presenting your story in a way that makes busy producers, agents, and executives sit up and take notice. A synopsis becomes a cultural phenomenon when it strikes the perfect balance between creative expression and industry requirements. If you're crafting a comedy, bring the playfulness.
For balance purposes, I limit the number of voyeurs in the maze, otherwise it can enter a deadlock where there's only voyeurs but no one for them to watch. However, Zugzwang is about interacting with a maze full of people, so here I simulate the police as distinct in-person agents who walk around.
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