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If you want to do anything more technically advanced than static monster placement in vanilla Quake, you basically have two options: (1) build a "monster closet" and open the door to start a fight, (2) build an inaccessible room filled with inactive teleporters, and trigger the teleporters to spawn-in monsters.
This fighting game health mechanic is too fussy and unreliable for a busy shooter. So to survive fights for the first half of the game, you have to trust the level designers to leave enough health consumables around, Doom / Quake style. Bot invaders often don't interrupt a boss fight. Limited regen (e.g.
This isn't a big apocalyptic video game betrayal cutscene where a villain reveals himself and destroys a castle, instead it's a smaller deeper betrayal that instantly brought me back to being a teenager. After all, how many games offer you a "suffering musician" build? You talk but they don't listen. Fine, be that way, see if I care!"
This is a convenient diegetic way of locking the player in-place for a cutscene, while also priming the player for an extended cutscene. It is much better than the boring shot reverse-shot cutscene stuff going on in AAA RPGs these days, and makes Skyrim's "sit" mechanic more meaningful. It's more paranoid than a Ubisoft game.
This is one of those situations where simply putting it into a cutscene would easily cause a separation of the player from Kratos - it’s a reminder to the player that Kratos is someone who would have to do such a horrible thing, which serves as a bit of a shock. Build your content in a way that facilitates player activity, not passivity.
I think character permadeath (my watered-down version of Aincrad’s lethal stakes) is bad for building the community that you want in an MMO, though it can work great in smaller-scale multiplayer games. In the later game Alfheim Online , level and skills were all but ignored, emphasizing player skill like a shooter or fighting game.
In the case of Auro , the game originally had a full Story Mode with a final boss and cutscenes and everything – but we deleted it at a certain point because we really wanted to focus the attention on the replayable ranked play mode (and a few other reasons). In any case, when humans get involved, they build culture.
The opening cutscene literally made me cry. I mean, you spend a LOT of time fighting in this game. In JRPGs, when the battles are fun, it’s actually usually that the party-building / character configuration mechanics are good. The Good The writing starts off incredible. And the battles kind of suck.
You don’t have to build a fully functioning economy or put something behind every single door, or whatever. Here’s a handful of good examples: Final Fantasy VII : you’re part of a terrorist organization that is doing a bombing mission to try and fight back against an evil empire.
Balancing relies heavily on gear, maps are crowded with question marks, Boss fights feature repetitive mechanisms. The map models are rich and varied in terms of items, buildings, and terrain changes, which offsets outdated graphics performance. The rough cutscene). The static lighting and shadow rendering are excellent.
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