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They can be rigged and animated, placed as a stationary object in a scene, combined with other assets to create a set/environment, simmed or destroyed, and used for shadows or holdouts. It helps reduce the amount of detail by simplifying polygons and textures as they get further away from the camera. What is level of detail (LOD)?
Today we're serving up some seriously exciting updates, including a look at our new, custom game cursor; updates on our new player character's rigging and animation; and a sneak peek at our newest WIP level area. He was able to finish modeling all three sets before getting started on some seriously impressive texturing. Check it out!
In today's issue, you'll get an update on all the custom 3D assets we've been working on for the capital city of Nisar, plus a peek into our process for creating a fully functional facial rig for our female main character. We're looking forward to seeing how Cass textures this beast of a model once he's done crafting it. Check it out!
I started with Gaea for landscape creation, then did the texturing in Unreal Engine. Our cutting-edge curriculum helps studios and media professionals master virtual production and industry workflows using Unreal Engine. Building the scene using Gaea, Unreal Engine, and Megascans.
Here's a look at Cass's finished model for the coliseum, complete with unwrapped UVs and applied textures. These are still a very early work in progress, but check out what Shelly's got thus far: Shelly also lent her impressive texturing skills this sprint to some of the picture frame models Karena created. Animation / Rigging.
Traditionally, digital humans have been widely used in media and entertainment, from video game. Traditionally, digital humans have been widely used in media and entertainment, from video game characters to CGI characters in movies. We have been pursuing the creation of digital humans for years.
We especially love the scale-like indentations Bianca has started to add and we can't wait to see how he looks with painting and textures. The texturing featured in the below video is just a stand-in, but you can see how this plugin helps us better tame this feline fur. 3D Environmental Design.
Once he's modeled all three sets, Cass will then begin the tedious texturing process for each one. This sprint, Karena was able to complete her model and begin texturing. Take a look at Iuliia's models thus far; we'll be proceeding with texturing and finalizing three of the five pictured below to be used in the game.
After working with the hair cards for awhile, it dawned on Pete that he could actually create a proxy texture that would easily troubleshoot the orientation of each card. During his first official pass, Pete was finally able to make the textures and shaders work in tandem. 3D Environmental Design. Level Design.
Take a look at the progress he made on modeling and texturing the sewer pipes, grates, landings, and divisions. Once the models for the sewer items were completed, Cass then shifted focus to texturing them. Once completed, Karena will work on a rig for the hatches that will allow them to open and close during gameplay.
Now that both versions of the Cathedral models are complete, Cass can begin unwrapping the UV's before diving into the tedious texture work. This sprint, Karena was able to tackle the UVs and begin texturing. Rigging / Animation. Take a look! Here's a look at Nick's 3D version of the Myrtuna crest.
Lastly, Nick revisited the 3D model for his previously created Anagativa skeleton to improve its shape and textures before handing it off to Allie for rigging and animation. After finishing up the forest townhome models, Cass then started in on texturing each of the structures. Animation / Rigging / Production.
Last issue, we shared the texturing work Cass had started on the forest homes, many of which resemble beautiful log cabins due to the intricate woodwork featured throughout. Much to Cass's relief (we're sure anyway), he was finally able to finish applying textures to the townhouses over the past few weeks. Take a look!
Now that he's done with the model itself, Cass will focus on unwrapping the UV's before getting started on the detailed texturing for this colossal beauty. With Shelly's keen eye for detail (and impressive modeling and texturing skills), she's been able to capture exactly that with her new and improved crystal models. Sound Design.
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