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Video game artists specialize in a wide range of digital art forms, such as 2D modeling, animation, concept art and texturing. Let’s take the popular example of Candy Crush Saga , a level-based puzzle game. They work closely with game designers as well as developers to build a well-designed and visually attractive game.
Today we're serving up some seriously exciting updates, including a look at our new, custom game cursor; updates on our new player character's rigging and animation; and a sneak peek at our newest WIP level area. He was able to finish modeling all three sets before getting started on some seriously impressive texturing. Check it out!
In today's issue, you'll get an update on all the custom 3D assets we've been working on for the capital city of Nisar, plus a peek into our process for creating a fully functional facial rig for our female main character. We're looking forward to seeing how Cass textures this beast of a model once he's done crafting it. Check it out!
Now that both versions of the Cathedral models are complete, Cass can begin unwrapping the UV's before diving into the tedious texture work. This sprint, Karena was able to tackle the UVs and begin texturing. Rigging / Animation. Take a look! Here's a look at Nick's 3D version of the Myrtuna crest.
3D models can be rigged and then animated, placed as stationary objects in a scene by a layout artist, simulated or destroyed by an FX artist, and used for shadows or holdouts by a lighting artist. 3D modeling software 3D modelers use a range of software for modeling, sculpting, and texturing.
We especially love the scale-like indentations Bianca has started to add and we can't wait to see how he looks with painting and textures. The texturing featured in the below video is just a stand-in, but you can see how this plugin helps us better tame this feline fur. 3D Environmental Design.
Once he's modeled all three sets, Cass will then begin the tedious texturing process for each one. This sprint, Karena was able to complete her model and begin texturing. Take a look at Iuliia's models thus far; we'll be proceeding with texturing and finalizing three of the five pictured below to be used in the game.
We can't wait to see what all these look like when they're fully detailed, textured, and placed in the Kristala game build. Wanna see what this set looks like fully textured and detailed? The sprint, Karena was able to finally nail the crystal-like texture she was aiming for for this important item.
After working with the hair cards for awhile, it dawned on Pete that he could actually create a proxy texture that would easily troubleshoot the orientation of each card. During his first official pass, Pete was finally able to make the textures and shaders work in tandem. 3D Environmental Design. Level Design.
This sprint, Fede was able to continue working on the soldiers and armor he'd started, polishing up details and working on intricate textures. After nailing the painting and texturing in Maya for the lantern, Joe then worked on properly setting up this model in Unreal Engine. Here are some shots of Fede's WIP. Take a look.
We'll walk you through Nick's entire process for modeling and texturing these Twiggies in the comprehensive version of today's dev blog. This sprint, Joe refined his textures by adding in more color variation to the mushrooms and the crystals that can be seen on the lantern below. link] Rigging / Animation. Check it out!
Although he'd already completed the base models and initial texturing for the Nisargan Impaler and Rosethorne Swords prior to this sprint, Cass spent some time this month further refining each design and finetuning its details. Here are two of the different texture variants Pete showed off this sprint. Rigging / Animation.
After adding some rust to the texturing and bending and breaking a few of the rungs that comprise the gate's overall structure, we think Cass finally nailed it. 3D Generalist Joe was another talented team member to work on modeling and texturing a few props that will be handed off to our level designers and placed in Nisar (and beyond).
Using a design from our concept art team as a guide, Hassan first began piecing together this stunning wooden abode, then carefully textured it to make it look properly aged and lived in. link] Rigging / Animation. Music is an important piece of the Kristala puzzle. link] [link] Kristala Original Soundtrack.
With Lophi's model and textures nearly complete, Pete spent the first half of this sprint finetuning this beasty baddie's details and adding some additional flare to the character's fins and spines. Rigging / Animation. Music is an important piece of the Kristala puzzle. link] [link] [link] [link] Kristala Original Soundtrack.
To draw the crosshair we use the Draw Texture node and we pass the texture we want to draw, X and Y coordinates, and the tint color. And the reason why is because we didn’t set the width and the height of the hud inside the Draw Texture node. So when we test the shooting now, this is how it looks like: Reloading The Gun.
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