This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
How do top game studios maintain a constant flow of high-quality assets without bottlenecks? With the right strategies, game studios can accelerate asset creation, streamline workflows, and maintain artistic consistency, ensuring their live-service games remain visually compelling and player-focused. Key solutions: (i).
Good graphics, game mechanics, and game story are the three important factors that players look for in a good video game. From these, graphics refers to all the visual elements in the game including the characters, environment, props, and other game assets.
Modeling, texturing, and lighting additional assets (furniture, props, decor, etc.) There is a growing demand for architectural visualization artists in real-world architecture, along with other industries such as product design, engineering, mechanics, and entertainment. using 3D software.
Almost every 3D asset is painted using only one atlas texture. Players are able to create their own tracks using road parts, obstacles and props. All of the moving obstacles have implemented different mechanics, that make player behave in a certain way. Majority of props work on the same principles as the rest of assets.
That way, they can be animated without the background or other characters and props moving at the same time. 3D Animation is the art of bringing digital characters, vehicles, props, and full scenes to life in a virtual 3D space. You can create this animation style with real actors, clay figurines, or even toys and other props.
A single shot or asset will often travel through numerous artists and multiple departments before being finalized. As an asset takes shape, it must be presented in a turntable so its look can be properly inspected and approved or given notes by relevant supervisors or clients. So, where do you fit into the production pipeline?
At the same time, animation breakdowns focus on world-building elements, character assets, and rendering requirements that shape the entire production pipeline from the ground up. Live-action productions use SFX with practical elements like pyrotechnics, prosthetics, and mechanicalprops captured by the camera.
First, we have the universe level where you establish things like game mechanics, abilities, characters, locations, statistics and so on. They can get right in and start creating, based on the assets and gameplay logic that’s already there. Jordan Weisman: It works on a couple of different levels. There’s no code.
Once finished with the environmental concepts for the six clan capital cities, Harold then joined James in completing a few designs for items that still needed to be replaced with custom assets in the Kristala game build: Modular tunnel pieces. In-tact and broken Amulets. Check it out! 3D Modeling. Several intact and crumbling gravestones.
Back in the world of environmental concepts, another of our artists, Ila, took on a concept from our ever-growing list of items and props. Next up in the realm of items and props are the Kotakayan weapon concepts pictured below that were created by our super talented Concept Artist, James. Level Design.
That means players engage more as a job (often as “scholars” from developing countries who borrow in-game assets from richer “sponsors” or “managers,” who receive a cut of their earnings) than for fun. The value of new Axies and SLP is propped up by new players putting fresh money into the game. Source: Messari.
Behind every immersive world lies a meticulously crafted game art pipeline, a process where raw ideas evolve into interactive, polished assets. In the early days of game development, creating assets was a fragmented, time-consuming process. But how exactly does a simple sketch transform into a fully animated, game-ready asset?
Due to its extensive asset store, versatility, and a multitude of tutorials and online courses, Unity has become the most popular 2D and 3D development platform in the world. Luckily both engines offer asset stores that allow users to download free and paid props, shading, textures, and many more.
Now that our concept art team has nearly completed the designs for all existing assets and items in the Kristala build that needed to be replaced with fresh assets, they're now able to move on to creating brand new items that don't yet have 3D counterparts. Bianca wasn't the only modeler working on props this sprint.
With all core mechanics and elements now in place, the last thing on the list is to add any last-minute assets and address bugs. Our third concept artist, Harold, also worked this month on detailing a few overview pieces and associated callouts for assets featured in this great Nisargan city.
As we move closer and closer to completing the vertical slice for Kristala, our dev team has been working hard to finish all the designs, models, and mechanics that will be featured in Dalamase, the level area that's featured in the slice. As we mentioned above, Cass wasn't the only artist on our team to create custom props this sprint.
For some items in the old version of the Kristala demo, we used stand-in props from the UE4 marketplace as place holders until we could create our own, custom designs and 3D models. Next up on our list of revised concepts are the beautiful potion consumables concept artist Ila worked on this sprint.
The only examples of F2P shooters at scale were Korean (Crossfire) and Chinese (Assault Fire/Ni-Zhan), both focused on pay-to-win mechanics. When CoDO development started, there was barely any successful 3D free-to-play shooter in the west and free-to-play design as a whole was fairly unexplored outside of Facebook games.
We organize all of the trending information in your field so you don't have to. Join 5,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content