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Defining reality: Steven Spielberg

Filmustage

Also after a long time of hard work we are happy to announce the beta-testing of the new scheduling feature in the Filmustage software. Be one of the first to test the new functionality - click here for more detailed information. With one reflection, Spielberg reinforces the moment of unity with the character.

Film 52
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Camera angles - explained

Filmustage

Also after a long time of hard work we are happy to announce the beta-testing of the new scheduling feature in the Filmustage software. Be one of the first to test the new functionality - click here for more detailed information. A high angle shot is positioned above the person's eye level, so the camera is pointing downwards.

Film 52
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How "The Boys" criticize modernity

Filmustage

Today we will try to look at the famous TV series from an atypical point of view. From that point of view, the idea of "The Boys" is quite similar to Zack Snyder's "Watchmen" : the figure of superhuman gives an opportunity to manipulate public consciousness. Violence is a beacon for us, pointing out the flaws in the system.

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Edgar Wright: Mastery of Visual comedy

Filmustage

Of course, these very examples are not too funny, but the point is that Wright skillfully constructs an atmosphere of absurdity and farce. The music in his films, when it appears, acts as a point on which the montage is based. Be one of the first to test the new functionality - click here for more detailed information.

Film 52
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The mastery of visual storytelling: David Fincher

Filmustage

The point is that Fincher rarely uses this method, and when he does use natural sources, it's mostly sunlight, flooding the frame. After a long time of hard work we are happy to announce the beta-testing of the new scheduling feature in the Filmustage software. Things are a little more complicated with natural light sources.

Film 52
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Shocking style of Darren Aronofsky

Filmustage

The editing takes the point of view of the heroes of the film, it only highlights what the protagonists are obsessed with. Cinematography of obsession In this part we are going to take a look at how particularly his films are shot from the point of view of camerawork. This technique has become a kind of business card of the director.

Film 52
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The gentleman with a rocker's heart: Guy Ritchie

Filmustage

If you go back to the video from "Lock, Stock and Two Smoking Barrels" that we have attached above, you will find that all the techniques are used to the point. Characters speak only on the point and do not shy away from slang and profanity. Be one of the first to test the new functionality - click here for more detailed information.

Film 52